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	<title>Noemi Conan </title>
	<link>https://noemiconan.com</link>
	<description>Noemi Conan </description>
	<pubDate>Wed, 08 Apr 2026 12:06:47 +0000</pubDate>
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		<title>index</title>
				
		<link>https://noemiconan.com/index</link>

		<pubDate>Tue, 24 Feb 2026 18:04:09 +0000</pubDate>

		<dc:creator>Noemi Conan </dc:creator>

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		<title>Curriculum </title>
				
		<link>https://noemiconan.com/Curriculum</link>

		<pubDate>Thu, 26 Feb 2026 13:14:44 +0000</pubDate>

		<dc:creator>Noemi Conan </dc:creator>

		<guid isPermaLink="true">https://noemiconan.com/Curriculum</guid>

		<description>Born in Warsaw, Poland (7/May/1987). Lives and works in London, UK.&#38;nbsp;




&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/190f8119cd7c5a9b83ffbd696c73fb50499795a0a180882990a9a25f1620a927/IMG_5914.jpeg" data-mid="245346700" border="0"  src="https://freight.cargo.site/w/1000/i/190f8119cd7c5a9b83ffbd696c73fb50499795a0a180882990a9a25f1620a927/IMG_5914.jpeg" /&#62;Exploring the narrative potential of visual media and stretching the limits of an artist autobiography. This is not a memoir, but everything is personal. Memory is honest and true, but is not concerned with factuality.&#38;nbsp;
Suspended between homecoming and escaping, perpetually on a cigarette break with some of the coolest cats you have ever met after dark in the woods by the side of the road. Through re-remembering the past now lost of a life in a peripheral town, on the border between the Uncanny and Normal and communing with the real and imaginary, the folkloric and the stuff of post-modern legend. Just girl stuff. A little bit Twin Peaks but in the post-communist way. &#38;nbsp;It doesn’t always make sense.

Has a thing or two to say about femininity and the pursuits of perfection, post-communism, hauntology, ghosts, nostalgia, all that liminal space stuff, the migrant experience.&#38;nbsp;


Polka. Ormianka. Czasami ktoś jeszcze. Malarka. Mieszkana Londynu. Prekariuszka bez umowy o pracę. Bajarka. Wychowana na peryferiach Polski Po-niemieckiej, na szynce na plasterki i dymie z papierosów Caro. Wielbicielka Fiata 125 p.Jestem gawędziarką, która posługuje się akrylową&#38;nbsp;farbą&#38;nbsp;w celu oddania nie-realiów dorastania na marginesie przygranicznym. Odwołując się&#38;nbsp;do złóż&#38;nbsp;wpół&#38;nbsp;zapamiętanych wydarzeń&#38;nbsp;z czasów wszechobecnych papierosów i plastikowych reklamówek noszonych z dumą&#38;nbsp;zatrudniam stałą&#38;nbsp;ekipę&#38;nbsp;znudzonych sobowtórów, kotów i szkółkę&#38;nbsp;choinek, które pomiędzy Topieniem Marzanny a Dniem Grzybiarza wciąż&#38;nbsp;powtarzają&#38;nbsp;tajemnicze nocne rytuały.Słowa pachną wodą&#38;nbsp;kwiatową&#38;nbsp;a tytuły zmieniają&#38;nbsp;się&#38;nbsp;zależnie od pory roku.Piosnki na cześć wypoczętej Panny Matki, komitywy przyjaznych cioć, zdrowych szlugów i wygodnych szpilek.

Education
2024-2026 MFA in Painting at Slade School of Fine Art, UCL, London UK
2022-2024 Turps Studio Programme, London UK
2021-2022 Drawing Year at the Royal Drawing School, London UK
2018-2021 &#38;nbsp;BA Hons. at Glasgow School of Art, Painting and Printmaking (including Erasmus exchange at HGB Leipzig in the studio of Prof. Christoph Ruckhäberle, Leipzig DE), Glasgow UK


Residencies
The Sarah Kravitz Artist Residency, London, June- September 2024Borgo Pignano, Volterra, Italy, May- June 2024The Fores Project, London, UK, February-March 2023Borgo Pignano, Volterra, Italy, July 2022


Awards
2025 Shortlisted for the Ingram Prize2024 The Winsor &#38;amp; Newton Scholarship at UCL Slade2022 Jack Goldhill Studio Practice Prize2021 The James Nicol McBroom Memorial Prize2018-2021 The George and Cordelia Oliver Undergraduate Drawing Scholarship

Longlisted for the Jackson’s Painting Prize in 2020 and 2023Longlisted for the John Moores Painting Prize 2020 and 2023

Solo Shows and Presentations

2024 Fern Flowers, Traits Libres Gallery, Paris FRThe Rite of Spring, &#38;nbsp;Christine Park Gallery, Shanghai CN
2023Midnight Sun, David Kovats Gallery, London UK

2022Re-Collected Stories- Focus On Noemi Conan, Galerie Kandlhofer, Vienna AT

Art Fairs:
2025Drawing Now Paris, Carreau du Temple (Presented by Traits Libres Gallery, Paris) Paris FR
2024Untitled Art Fair, (Presented by Christine Park Gallery, Shanghai), Miami USDDessin Paris ( Presented by Traits Libres Gallery, Paris), Petit Palais, Paris FR
2023Untitled Art Fair (Solo Booth, Presented by Christine Park Gallery, Shanghai and New York), Miami USContemporary Istanbul (Presented by PiArtworks, London) Istanbul TRZONAMACO (Presented by PiArtworks, London) Mexico City MXArt SG (Presented by Christine Park Gallery, Shanghai and New York) Singapore SG

2022Art Basel HK (Presented by PiArtworks, London) VR

Selected Group Shows
2026Title to be confirmed, Hypha Studios Euston, London UKBlink, Safe House, London UKLilith Show, Title to be confirmed, Six Artists Show, APT Gallery, London UK
2025On Beauty, Pictorem Gallery, London UKDziewczyna Ugryzła Się w Język i Została Bez Języka (duo show with Joanna Ambroz), R2OT, Warsaw, PLArt On A Postcard, Women’s Day Auction, The Bomb Factory Foundation, London UK


2024Soho Residency Showcase, Sarah Kravitz Gallery, London UK35,5714286 at Split Gallery, London UKVoiceover: Sanity, Madness and Methamorphosis curated by Fabienne Bideaud, Traits Libres Gallery, Paris FRGo Bananas, Turps Gallery, London UKA Painting Show, Paint Talk and Staffordshire Gallery, London UKSlip Slap Slop, Safe House II, London UKTableaux II: Painting as Stage, Cross Lane / Vestry St, London UKTurps Takeover 2, Xxijra Hii, London UKStrangers In The Night, Somers Gallery, London UK


2023
Une Vie Antérieure ( duo show with Alexandra Beteeva), Traits Libres Gallery, Paris FRThe John Moores Painting Prize 2023, Walker Gallery, Liverpool UKYear One, OHSH Project Peckham, London UKThe Burden of Heavy Flesh (curated by Andia Coral Newton), Bermondsey Project Space, London UKExpanded Drawing Week (curated by The Paper Stage), Edinburgh Palette, Edinburgh UKWorks on Paper Part 5 , Blue Shop Gallery, London UKBecoming A Body Of Water curated by Marta Masicka), David Kovats Gallery, London UKFriends and Family 2, Pi Artworks, London UK
2022Send Nudes, TRIO, London UKDelphian Gallery Open Call, Unit 1 Gallery, London UKCarnival of Dreams, The Life Room, Edinburgh UKOh My, What A Lovely Basket of Fruit! New Normal Projects, London UKTalking &#38;amp;... Other Banana Skins, Urban Nation Museum, Berlin DEFridge Collective: Brave New World, Anderson Contemporary, London UKSmoke! Smoke! Smoke! (That Cigarette), Nadir Project Space, Brighton UKFriends and Family, Pi Artworks, London UKThe Flesh of Paint, Liliya Art Gallery, London UK2021Art on a Postcard, Soho Revue, London UKOut of the Frying Pan and into the Woods, New Normal Projects, London UKBloomberg New Contemporaries 2021, Firstsite Colchester and South London Gallery, UKThe Royal Academy Summer Exhibition, Royal Academy, London UKBest of Scottish Degree Shows, Six Foot Gallery, Glasgow UKThe Alternative Degree Show, Pipe Factory, Glasgow UKThe Royal Scottish Academy Annual Exhibition, &#38;nbsp;Edinburgh UKThe John Moores Painting Prize 2020, The Walker Art Gallery, Liverpool UK

2020Let’s Call It A Day, HandStand und Moral, Leipzig DERundgang, Hochschule fur Grafik und Buchkunst, Leipzig DERabbit Skin Glue, Glue Factory, Glasgow UK 




Links

Artsy Profile
Ocula Profile
Mutual Art Profile</description>
		
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		<title>Green</title>
				
		<link>https://noemiconan.com/Green-1</link>

		<pubDate>Tue, 24 Feb 2026 18:04:10 +0000</pubDate>

		<dc:creator>Noemi Conan </dc:creator>

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		<description>
	

	

	Green.

There is something about the Northern European sky that I recognise in a spiky, insistent and forceful lime green. The first frosty morning in the long Summer, when you wake up and feel winter already seeping in through the cracks in the floor. Pinching your nose. Lighting a cigarette with fingers that are just that little bit stiffer than they were just a couple of hours earlier. And a feeling that something between you and that other person has shifted and it in fact is not going to be the same ever again. Summer’s almost gone, but not quite yet.&#38;nbsp;





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		<title>Red.</title>
				
		<link>https://noemiconan.com/Red-1</link>

		<pubDate>Tue, 24 Feb 2026 18:04:11 +0000</pubDate>

		<dc:creator>Noemi Conan </dc:creator>

		<guid isPermaLink="true">https://noemiconan.com/Red-1</guid>

		<description>
	

	

	Red.
There Is a certain kind of heat a body emits. The smell of a freshly lit cigarette. The bonnet of a car after a long drive.&#38;nbsp;




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		<title>Blue.</title>
				
		<link>https://noemiconan.com/Blue-1</link>

		<pubDate>Tue, 24 Feb 2026 18:04:12 +0000</pubDate>

		<dc:creator>Noemi Conan </dc:creator>

		<guid isPermaLink="true">https://noemiconan.com/Blue-1</guid>

		<description>
	

	

	Blue.

The ultimate reward after what feels like an eternity of cloudy, repeatable days.&#38;nbsp;




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&#60;img width="800" height="1000" width_o="800" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e4434de7c4365a62dc2b8f9c046bf1b001b722d0e59581727b10f02d0b4b48c8/IMG_3251.JPG" data-mid="245283035" border="0"  src="https://freight.cargo.site/w/800/i/e4434de7c4365a62dc2b8f9c046bf1b001b722d0e59581727b10f02d0b4b48c8/IMG_3251.JPG" /&#62;



	
	
</description>
		
	</item>
		
		
	<item>
		<title>Gold</title>
				
		<link>https://noemiconan.com/Gold-1</link>

		<pubDate>Tue, 24 Feb 2026 18:04:12 +0000</pubDate>

		<dc:creator>Noemi Conan </dc:creator>

		<guid isPermaLink="true">https://noemiconan.com/Gold-1</guid>

		<description>
	

	

	Gold.
Who should care about diamonds, when coal is where the real money is. And what is the realest money, if it isn’t the time honoured and respected glimmer of the most holy of painting materials, now available in plastic.&#38;nbsp;




&#60;img width="3178" height="3169" width_o="3178" height_o="3169" data-src="https://freight.cargo.site/t/original/i/13c5cfec440f45a8638aad5094dc111e77ec6d54019b58a2c3707494e659f68d/IMG_4112.JPG" data-mid="245282976" border="0"  src="https://freight.cargo.site/w/1000/i/13c5cfec440f45a8638aad5094dc111e77ec6d54019b58a2c3707494e659f68d/IMG_4112.JPG" /&#62;
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&#60;img width="3013" height="3240" width_o="3013" height_o="3240" data-src="https://freight.cargo.site/t/original/i/592e760eab3c35958da6401281a2e7a717b4cd0ebe0f529dff8e8a5fd77b3fc5/IMG_4109.JPG" data-mid="245282979" border="0"  src="https://freight.cargo.site/w/1000/i/592e760eab3c35958da6401281a2e7a717b4cd0ebe0f529dff8e8a5fd77b3fc5/IMG_4109.JPG" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>Paper.</title>
				
		<link>https://noemiconan.com/Paper</link>

		<pubDate>Tue, 24 Feb 2026 18:04:13 +0000</pubDate>

		<dc:creator>Noemi Conan </dc:creator>

		<guid isPermaLink="true">https://noemiconan.com/Paper</guid>

		<description>
	

	

	Paper.

So. The Drawing Year. I think it may not have been the first time I worked extensively on paper, but certainly the first time I was explicitly told to prioritise it. And I must say that I found this to be a rewarding and exciting surface to work on. I love canvas, and I always will love its texture, but few things are as enjoyable as working on a smooth hot pressed sheet of paper.




&#60;img width="2520" height="3573" width_o="2520" height_o="3573" data-src="https://freight.cargo.site/t/original/i/064514b5a937502d35e327ec23a212360ff165e0ec49e9e6e60d8da140ade60c/IMG_7732.JPG" data-mid="245283118" border="0"  src="https://freight.cargo.site/w/1000/i/064514b5a937502d35e327ec23a212360ff165e0ec49e9e6e60d8da140ade60c/IMG_7732.JPG" /&#62;
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&#60;img width="2539" height="3014" width_o="2539" height_o="3014" data-src="https://freight.cargo.site/t/original/i/ee2e597a361dfbbb930883ecba64cf4076b59441b03da38b61bebbfa6b14d0bf/IMG_4115.JPG" data-mid="245283112" border="0"  src="https://freight.cargo.site/w/1000/i/ee2e597a361dfbbb930883ecba64cf4076b59441b03da38b61bebbfa6b14d0bf/IMG_4115.JPG" /&#62;



	
	
</description>
		
	</item>
		
		
	<item>
		<title>Canvas.</title>
				
		<link>https://noemiconan.com/Canvas</link>

		<pubDate>Tue, 24 Feb 2026 18:04:13 +0000</pubDate>

		<dc:creator>Noemi Conan </dc:creator>

		<guid isPermaLink="true">https://noemiconan.com/Canvas</guid>

		<description>
	

	

	Canvas.
Drawing on canvas. Or is it painting. Why does it matter, exactly?




&#60;img width="2597" height="2604" width_o="2597" height_o="2604" data-src="https://freight.cargo.site/t/original/i/f9daa73ea3e9ade6fceb281adcf345b43dd07c904d01ea51dbde1ebf2f6f2e67/IMG_7230.jpeg" data-mid="245283185" border="0"  src="https://freight.cargo.site/w/1000/i/f9daa73ea3e9ade6fceb281adcf345b43dd07c904d01ea51dbde1ebf2f6f2e67/IMG_7230.jpeg" /&#62;
&#60;img width="2268" height="2263" width_o="2268" height_o="2263" data-src="https://freight.cargo.site/t/original/i/78f5eab7e1b9f6cb79324332654141dcccd05fddaabce4a84dc2156597569ee7/Badly-Planted-Trees.JPG" data-mid="245283184" border="0"  src="https://freight.cargo.site/w/1000/i/78f5eab7e1b9f6cb79324332654141dcccd05fddaabce4a84dc2156597569ee7/Badly-Planted-Trees.JPG" /&#62;
&#60;img width="3664" height="2929" width_o="3664" height_o="2929" data-src="https://freight.cargo.site/t/original/i/54f3e9f532642db0ce5fa86d4ae92140b2511ffeb61e5a0c04a097fd454c26aa/IMG_8488.JPG" data-mid="245283181" border="0"  src="https://freight.cargo.site/w/1000/i/54f3e9f532642db0ce5fa86d4ae92140b2511ffeb61e5a0c04a097fd454c26aa/IMG_8488.JPG" /&#62;
&#60;img width="2364" height="3339" width_o="2364" height_o="3339" data-src="https://freight.cargo.site/t/original/i/312833966eaabeead9a0d842bda1a1f40dd457eebc6173e18e9ad30e82c5fb0c/IMG_8466.jpeg" data-mid="245283291" border="0"  src="https://freight.cargo.site/w/1000/i/312833966eaabeead9a0d842bda1a1f40dd457eebc6173e18e9ad30e82c5fb0c/IMG_8466.jpeg" /&#62;
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	&#60;img width="7319" height="2513" width_o="7319" height_o="2513" data-src="https://freight.cargo.site/t/original/i/af9d39449adc3c1343bc153f7ebd5176092a1196310623554920534ec0296f37/_DSC0809.JPG" data-mid="245283711" border="0"  src="https://freight.cargo.site/w/1000/i/af9d39449adc3c1343bc153f7ebd5176092a1196310623554920534ec0296f37/_DSC0809.JPG" /&#62;
	&#60;img width="7000" height="2328" width_o="7000" height_o="2328" data-src="https://freight.cargo.site/t/original/i/6dd8cdc747f5a7b7638262732a93cf3b30d9ce0bb90d6addf65785b8c0fec662/Stysiak_01_01_Concourse.JPG" data-mid="245283623" border="0"  src="https://freight.cargo.site/w/1000/i/6dd8cdc747f5a7b7638262732a93cf3b30d9ce0bb90d6addf65785b8c0fec662/Stysiak_01_01_Concourse.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Install Shots</title>
				
		<link>https://noemiconan.com/Install-Shots</link>

		<pubDate>Wed, 08 Apr 2026 12:06:47 +0000</pubDate>

		<dc:creator>Noemi Conan </dc:creator>

		<guid isPermaLink="true">https://noemiconan.com/Install-Shots</guid>

		<description>Installation documentation spanning exhibitions from 2020 till now, including the John Moores Painting Prize, Bloomberg New Contemporaries, Art SG, Untitled Miami and solo and group shows.



&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/afa3b9182bc3a5e397682c7904e9e54ae456ec68adeb86cfd6b7ff59c9a4a10e/IMG_7153.JPG" data-mid="246966613" border="0"  src="https://freight.cargo.site/w/1000/i/afa3b9182bc3a5e397682c7904e9e54ae456ec68adeb86cfd6b7ff59c9a4a10e/IMG_7153.JPG" /&#62;
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